Curatorial Concept策劃理念

策劃人 / 陳惠婷
Curator/ Chen Hui-ting
協同策劃人與撰述人 / 李大蕙
Co-Curator/ Lee Dah-hui

臺南市美術館公共藝術目前共有六件作品,分別為臺南市政府文化局委託喜恩文化藝術有限公司進行之《府城藝卷 展翅翱翔》計劃,本計劃中邀請蘇世雄、李再鈐、中谷芙二子與大衛.葛斯坦創作四件藝術作品:《絢爛南國 虹彩夢幻》、《天地人和》、《雲朵 #46741》及《輪飛蝶舞 悠遊時光》;委託日本設計大師原研哉及Noiz創作之《Shadow in Motion》,讓一樓至地下停車場之間形成一神秘空間,自然採光使觀者在移動中感受作品光影的變化;此外,藝術家楊英風先生致贈美術館之作品《分合隨緣》,坐落於美術館戶外廣場,與建築相互輝映,美術館公共藝術透過藝術家的魔法,不同媒材及形式運用的展現,使得臺南市美術館公共空間更添意趣。

Tainan Art Museum Public Art consists of six artworks. Four of them were curated and executed by Shalom Arts Consulting, Inc.: artist Su Shi-xiong’s “A Colorful Southern World”, artist Lee Tsai-chien’s “Heaven, Earth, and Humankind in Harmony”, artist Fujiko Nakaya’s “Cloud #46741”, and artist David Gerstein’s “Good Times”. Tainan City Government Cultural Affairs Bureau also invited artists Kenya Hara and Noiz to create the artwork “Shadow in Motion”, making the path from ground floor to B1 parking lot a magical realm of light and shadow. With Artist YuYu Yang’s gift “Shadow Mirror” to the museum, the six artworks enrich the public space of Tainan Art Museum with each of their aura.

喜恩文化藝術團隊為臺南市美術館公共藝術設置案,以「時間橫軸」與「空間縱軸」架構出「人與歷史」及「人與自然」的藝術新宇宙。策畫以「臺南市美術館」為軸心基地,「府城藝卷——展翅翱翔」為主題意象,攜手四組國內外傑出的藝術家,對臺南與臺灣的自然與人文進行深度解構與跨域創新,帶動臺南鄉親、全臺民眾、與國際友人,從視覺、觸覺與意覺等各知覺面向,體驗藝術的逸趣、見識臺南的豐美、增益身心的成長。

本案力邀重量級藝術家李再鈐、蘇世雄、中谷芙二子(日本)、與大衛・葛斯坦(以色列),進行「歷史流轉」與「自然美學」的觀照刻畫,為臺南市美術館量身打造、精心創作四組公共藝術作品,安置於「一館」與「二館」的公共園區裏,主動融入市民生活,邀約民眾從「臺南市美術館」啟航,翱翔於無垠的創意中,共享在藝術宇宙中悠遊舒懷與境界躍昇的喜悅。

同時透過教育推廣活動,使民眾進入享受、思考與再創造的正循環,促使「大臺南」突破既有格局,積極與國際接軌,締造蓬勃的藝術生態,開展澎湃的文化生命。

Shalom Arts Consulting, Inc. established brand new art cosmos, “Time and Space” and “History and Nature”, for the Tainan Art Museum Public Art Project. Based inside Tainan Art Museum, Shalom Arts Consulting, Inc. invited four domestic and international artists to join together in the process of deconstructing and creating. The local Tainan and Taiwanese people along with foreigners get the opportunity to experience Tainan’s progress through its artistic richness.

Through public events, people can appreciate the artworks and learn at the same time, enriching people’s life through a cultural and international horizon.

Shalom Arts Consulting, Inc. invited four prominent artists—Lee Tsai-chien, Su Shi-xiong, Fujiko Nakaya (Japan), and David Gerstein (Israel)—to create four artworks sharing history and aesthetics, tailored just for Tainan Art Museum. The artworks are located in the public space in Building I and II, inviting people to immerse in artistic joy.

以意識流串連、穿梭的藝術交響詩

本公共藝術案,喜恩團隊提出「府城藝卷——展翅翱翔」雙意象,來展現「一館」與「二館」的「人與歷史」及「人與自然」的雙主題。四組作品各依其獨特的自然與人文之形貌,指向不同的生命向度。

解構大師德希達以「延異」與「解構」的觀念,消解了各類藝術的疆界,促使當代藝術跳脫類型與媒材的框架,賦予藝術家、評論家、觀賞者在「創作符號」與「閱讀文本」時享受到:豐盛的藝術語彙、愉悅的嬉遊樂趣、與再創造的心靈火花。

擷取「解構」與「延異」的觀點,策畫各作品的意指與民眾在對應作品所衍伸而出的思考與想像力,相互以意識流串連、穿梭在「一館」和「二館」之間,每件作品在兩館間各有獨立的舞台,亦有彼此烘托的效果。「藝術情境」與「觀眾感知」在時空交替的生態中迴旋交錯,彷如「交響詩」般在藝術的領域裡相互應和、悠揚演繹、傳唱不輟!

Art Symphony Weaved by Stream of Consciousness

Tainan Museum Public Art, proposed by Shalom Arts Consulting, Inc., presents Museum Building I and II with double themes: human and history, human and nature.

The master of deconstruction Jacques Derrida used the concepts of differance and deconstruction to cross and dissolve boundaries of different art categories. These concepts lead people to think outside the box, not limiting contemporary art by categories and medium. That is when artists, critics and audience experience the richness in artistic vocabulary and the spark of re-creation during the creation and reading of content.

Adpoting Derrida’s concepts, Shalom Arts curate and connect art with people’s imagination. Streams of consciousness flows between the artworks, Museum Building I and II, bringing the pieces to shine on stage. “Artistic context” and “audience perception” blend in the ecology of time and space, just like a beautiful symphony reverberates through generations.

Double Theme府城藝卷 展翅翱翔:雙主題架構

Building I: Human and History x Time一館:人與歷史 x 時間橫軸

以「帕林普西(Palimpsest)隱跡文本」概念延伸
在歷史的時間軸線上運用「帕林普西/隱跡文本」的概念——以藝術解構臺南,書寫時代史詩。

1.「帕林普西(Palimpsest)/隱跡文本」

古時因得來不易、價值昂貴,將使用過的珍貴羊皮紙(書)頁清洗刮除後,再重新利用、書寫,而原來的字跡在新的書寫之下還依稀可見。依照清潔或刮除的處理程度,有些隱跡文本以肉眼即可辨識出先前的書寫記錄,有些則需以紫外線燈照射,才能清楚辨識。

2. 「臺南 · 書寫 / 藝術 · 史詩」

古都臺南,歷經荷蘭、明鄭、清領、日治與國民政府等各政權的遞嬗,一直是臺灣最重要的首府,不論常民的食衣住行,或高層次的文學、藝術與宗教等文化,向被視為臺灣的表徵、文化的原鄉。而在政權轉換的過程中,前朝的人文菁華往往被這座城市精煉融合,形成有形、無形不同層次的歷史銘刻,顯現出瑰麗的時代風華。彷彿一頁頁層次豐富的隱跡文本,珍貴的展現在世人面前。

The Concept of Palimpest/ Hidden Script

On the axis of Time, the concept of Palimpsest/ Hidden text is used to deconstruct Tainan, and to put down new chapters of Tainan history.

1. Palimpsest/ Hidden Script

In ancient times, papers were expensive and inaccessible. As a result, people washed off the text from parchment so that the pages could be reused. Some of the previous text may still be visible after being overwritten; some only become legible with the help of ultra violet light.

2. Writing Tainan in the Form of Art and Epic

Tainan is the old capital of Taiwan, which had been through periods of colonization and regime, thus considered the cultural representative of Taiwan. During different regimes, cultures fuse together and are absorbed by the city, giving birth to a marvelous city of history and culture. Regarding literature, art or religion, Tainan is a city rich of Palimpsest, waiting for people to discover its secrets.

而今隨著「臺南市美術館」的誕生,時光之軸將臺南推上當代藝術的舞台。肩負著文化櫥窗重任的「臺南市美術館」,亦將成為「大臺南」與國際藝術界接軌的主要門戶。而美術館的標誌——「公共藝術」——即是開啟這扇大門的鑰匙。

緣此,本案在歷史的時間線性上採取帕林普西(Palimpsest)/ 隱跡文本的概念,隱喻「臺南」猶如一卷內容豐富的隱跡文本。喜恩團隊將以藝術為原點,與蘇世雄老師合作,對古往今來臺南與臺灣的歷史人文進行各層面的思考、解構與創新。運用跨域整合、分析探討、拼貼建構等各種藝術形式,展現臺灣文化的光華,拓展臺南與國際藝術界的交流,促成「臺南市美術館」在歷史的長流中定錨為臺灣至關重要的藝術殿堂。

因此我們在「一館」中,將「人與歷史」的金線編入原「臺南警察署」市定古蹟的質地裡。

With the birth of Tainan Art Museum, Tainan will be connecting with the world through art, and the landmark of Tainan Art Museum –public art –will be the key to opening this door to the international world.

The master of deconstruction Jacques Derrida used the concepts of differance and deconstruction to cross and dissolve boundaries of different art categories. These concepts lead people to think outside the box, not limiting contemporary art by categories and medium. That is when artists, critics and audience experience the richness in artistic vocabulary and the spark of re-creation during the creation and reading of content.

Adpoting Derrida’s concepts, Shalom Arts curate and connect art with people’s imagination. Streams of consciousness flows between the artworks, Museum Building I and II, bringing the pieces to shine on stage. “Artistic context” and “audience perception” blend in the ecology of time and space, just like a beautiful symphony reverberates through generations.

Building II: Human and Nature x Space二館:人與自然 x 空間縱軸

以藝術展現「展翅上騰、凌空鷹揚」的能量

臺南在時空蛻變的過程中,始終順應天地造化、情勢變遷,得以將既有的文化能量,化為厚實平穩的上行氣流,御風而起,如鷹展翅,凌空翱翔。檢視臺南成長的歷程——恰似海、陸、空連續擴昇的三部曲:

大圓鯤鯓——海中崛起的貿易巨鯨

十七世紀風起雲湧的大航海時代,「臺南」,憑藉著風平浪靜的臺江內海與星羅棋布的鯤鯓沙洲,為當時往來於東亞海域的國際商船提供了夢寐以求的避風港與轉運站。以安平為首的臺南古城,儼然成為當時東亞貿易轉運與移民開墾的首選地。尋溯既往,早期臺南猶如巡游的巨鯨,活力四射地活躍在洋海中。回首來時路,可說「臺灣」的原鄉在「臺南」,「臺南」的起點在「海洋」——「海洋」正是臺南創始蓬勃的起家厝。

古都府城——海陸崢嶸的文化雄獅

躍上國際舞台後的二、三百年間,臺南因坐擁進可攻、退可守的天然良港,加上地理適中、腹地肥美、文風鼎盛等優勢,其生命能量有如雄獅般益發興盛,此時臺南已蔚然成為臺灣的政經中心,文化首都。數百年間,府城的榮景,已擴展至海陸兼備、百業崢嶸的空前盛況。可謂 —— 從「海洋」到「陸地」,都是府城揮灑自如的樂園。

大臺南——展翅上騰的時代飛鷹

而今在科技領航的時代裡,隨著「臺南科學園區」的設立,臺南亦躋身於臺灣科技重鎮之列。同時「臺江國家公園」也在2009年積極成立,以順應全球「文明與自然」互惠雙贏的大趨勢。明確展現了「大臺南」自然與人文並重的格局與企圖心。

2010年臺南縣市合併為「大臺南市」,正式升格為直轄市,為臺灣重點發展的城市。值得讚許的是臺南繁榮的工商科技業,在贊助藝文方面亦成效卓著,「奇美博物館」即為膾炙人口的顯例。加之政府用心經營,諸如打造「臺南市美術館」與其週邊成為臺南市文藝復興的心臟地帶,皆展現出令人耳目一新的氣象。

豐美的文化資產、多元的自然生態、繁榮的工商科技業與正向的行政動能等種種優勢,皆如一道道平穩的上行氣流,足以支撐不斷成長的「大臺南」突破既有格局,蓄勢起飛,展翅上騰。

Perform the Energy of “Mount up with Wings as Eagles” through Art

Tainan Public Art describes Tainan as an eagle soaring through absorbing the power of culture. Tainan’s development can be divided into three stages: the trilogy of sea, land and sky:

Khun-sin: the Rising Business Giant of the Sea

During the 17th century Age of Discovery, Tainan, with the calm sea of Taijiang and sandbank, was considered the perfect harbor and transition center of international ships. The old Tainan City thus became a business giant of East Asia through its location and prosperity. We can almost say, the sea is the fundamentality of Tainan’s rapid development.

The Old City of Fucheng: the Culture Lion between the Land and the Sea

During the three hundred years of international stage, Tainan had become the economic and political center of Taiwan due to its location, business, culture and economy. It had been the most prosperous era of Fucheng, thanks to the development from sea to land.

Tainan: the Soaring Eagle of Our Generation

With the establishment of Southern Taiwan Science Park, Tainan has entered the list to develop technology. Also, the Taijiang National Park was established in 2009, complying the win-win world trend to balance civilization and nature and showing Tainan’s determination to develop both.

In 2010, Tainan City and County were merged into municipality “Tainan City,” becoming the key developing city of Taiwan. The business and technology industry in Tainan spares no effort to commission the art and culture industry, for example, Chimei Museum, developing a renaissance in Tainan.

Rich cultural assets, diverse natural ecosystems, prosperous technology industry and active administrative momentum are leading Tainan to break through its past and take off with its advantages.

對應臺南始終與時俱進、向上發展的空間場域,「府城藝卷——展翅計畫」定調以向上推升的空間縱軸,來闡述「人與自然」的生態美學,省思「文明/ 環境」、「物/ 我相融」的時代議題。本案在「二館」戶外園區中共安置三件探討「人與自然」的作品,每件皆與「飛翔」或「天地」產生關聯,營造出「天人合一、虛實相倚」的藝術情境,引導民眾從「視覺」、「觸覺」中釋放「意覺」的能量,享受「天、地、人」之間的「真實」與「空靈」,追求飛越有限、開創無限的生命境界。

創造/ 再創造互為主體的公共FREE/FUN互動樂園

「府城藝卷 展翅翱翔」主要的理念之一,即是為訪客塑造一個「創造」與「再創造」互為主體的「FREE/FUN互動樂園」。因此本案的公共藝術園區,具有濃厚的互動特性,是為每位訪客,免費開放的「藝術主題樂園」。

在這裡,「藝術家」與「訪客」是地位均等的主角。「藝術作品」將成為藝術家、策展者、藝評家、與觀眾間「意覺」互動的樞紐。每件作品都「創造」出別具一格的場域,提問有趣的話題,與訪客親切交陪。訪客悠遊其間,或放鬆休憩,用藝術洗滌心靈的塵埃;或與藝術對談,依個體或團體各自的狀態,投射出反思後千變萬化的「再創造」光芒。

To comply with the development of Tainan within time and space, Tainan Museum Public Art tunes itself as the axis of space developing upwards to discuss the ecological aesthetics of human and nature, and rethink the issues between civilization and environment.

Three artworks addressing human and nature are installed in the public space of Building II. Every piece is linked to the image of heaven, earth, and flying, leading people to interact with the artworks through different senses, to explore the boundaries between abstract and substantial concepts, and to pursue a better enlightenment in life.

Create and Recreate, a Free/ Fun Interactive Park for the Public

One of the ideas of Tainan Museum Public Art is to create an interactive park both free and fun for the visitors. As a result, the public artworks are all interactive in many senses, making the Museum a free art theme park for everyone.

Artist and visitor are of equal status in the Museum. Artworks become the key for interaction between artists, curators, critics and audience. Every artwork creates its own field and brings up interesting discussion with the visitors. People can stroll around the artworks, resting in between the spaces, and rinse their mind through the interaction and meditation of art.

Curators策劃人簡介

喜恩文化藝術有限公司負責人陳惠婷自1992年即協助文建會訂立公共藝術設置辦法。後與藝術家合作設置完成衛生福利部公共藝術、三軍總醫院公共藝術、彰化蘭大衛等公共藝術…

陳惠婷 喜恩文化藝術

策劃人|陳惠婷

陳惠婷 喜恩文化藝術

策劃人 / 陳惠婷

喜恩文化藝術有限公司負責人陳惠婷自1992年即協助文建會訂立公共藝術設置辦法。後與藝術家合作設置完成衛生福利部公共藝術、三軍總醫院公共藝術、彰化蘭大衛等公共藝術…

協同策劃人與撰述人 / 李大蕙

李大蕙畢業於紐約大學藝術行銷與收藏研究所,曾任職於國立歷史博物館與研究人員,並策劃過多起展覽,包括「佛雕之美—宋元木雕佛像精品展」、「董開章書畫回顧展」等

公共藝術執行小組/徵選小組
葉澤山、陳輝東、蕭瓊瑞、黃健敏、莊凱旋(莊普)、呂理煌、史田康順、顧世勇(107年2月增聘)、 張清淵(107年2月增聘)、薛保瑕(107年1月請辭)、林曼麗(106年4月請辭)

Public Art Executive Committee Yeh Tse-shan, Chen Huei-tung, Hsiao Chong-ray, Huang Jian-min, Chuang Pu, Lu Li-huang, Yasuyori Yada, Ku Shih-yung (February 2018 hired), Chang Ching-yuan (February 2018 hired), Hsueh Pao-shia (January 2018 resigned), Lin Mun-lee (April 2017 resigned)